Not supergraphic per se, but a nice everyday integration of architecture and graphic design nonetheless. And an intriguing business model — I can get a haircut AND sell my unwanted jewelry? Awesome.
Not supergraphic per se, but a nice everyday integration of architecture and graphic design nonetheless. And an intriguing business model — I can get a haircut AND sell my unwanted jewelry? Awesome.
Inspired by generic grocery store packaging of the 1980s, the Generic Double-Knit Can Cozy is the result of my desire to contribute to a particular can cozy collection and my longstanding appreciation of the austere but pleasing simplicity of no-brand products. Reminiscently, these cozies combine generic styling with the handmade texture of double knitting.
Double knitting in the round serves this project well: the doubled thickness provides additional insulation for the beverage can and double knitting allows easy integration of text in the pattern of the work. Seamless stockinette stitches at the inside and outside make this cozy a sturdy utilitarian object. And true to its inspiration, the materials for this project are extremely frugal — inexpensive yarn is all you need.
Download the pattern as a PDF here. Cheers!
A distinct quality of underground mass transit is its separation from the activity of the city that it serves. For maximum expediency and efficiency, subways necessarily require riders to enter into an isolated infrastructural system. Although spatially connected along an artery of conveyance, the physical relationship between stations within the system is only loosely perceivable. Traveling through a dark tunnel, distance is no longer perceived as a spatial relationship and instead is estimated as a function of time. Above ground, an understanding of the immediacy between stations in adjacent neighborhoods is often precluded by physical impediments and other visual barriers.
Yet, among New York City’s subway stations, a rare relationship exists between the Spring Street and Canal Street stations of the 6 Lexington Avenue Local Line: each station’s uptown train platform is visible from the other. Standing on the platform and looking into the depth of the tunnel with an expectation of either complete darkness or train lights on the track, a blip – the platform beyond – is clearly visible instead. Indeterminable distance, coupled with the sharpness of an illuminated view surrounded by darkness, render the platform miniature. Infrastructure should not go without the inclusion of such subtle experiential delight, politely provoking contemplation of our reference point within the space of the city.